Bachelor of Music - Performance Year 2 Unit Outline

Unit of Study - Music Performance

Solo Performance 4

The following applies to Year Two Bachelor of Music students.

Unit Outlines

Unit Name

MUSIC PERFORMANCE: Solo Performance 4

Unit Code

MUSPER 202

Unit Description In this unit students will learn how to:
  • Prepare and present musical performances at a professional, 2nd year degree standard (equivalent to AGME-Associate level)
  • Choose suitable repertoire, practice and rehearse effectively to expand technical and instrumental ability.
  • Reflect on and self-critique performances in order to advance practice methodology.
Award(s) Bachelor of Music
Unit Duration 1 Semester (12 Weeks)
Level Year 2, Semester 2
Unit Coordinator Caleb Garfinkel
Teaching Staff Lecturer: Leonie Wobking, Caleb Garfinkel
Tutors: Bernadette Norton, Leonie Wobking, Caleb Garfinkel
Core/Elective Core
Pre/Co-requisites A pass in Music Performance 201
Credit Points 15 credit points

Mode of Delivery

x Face to face
x E-learning (online)
o Ontensive/block mode (where the unit or a face to face component is delivered in a block)
x Distance/independent learning (un-timetabled)
x Full-time
x Part-time
o External
o Fast track

Student Workload
Delivery/ Contact Hours

No. timetabled hours per week
  • Lecture - 1 hour
  • Practical Session - 1 hour
  • Tutorial - 1 hour
  • Personal Independent Study - 9 hour
Total hours per week - 12 hours

Resource Requirements

  • Instrument
  • Instrumental tutor (specialist instruments only)
  • Video camera (distance students)
  • Web camera (distance students)
  • Computer facilities
  • Video editing software
  • External Technical Help

Resources Provided

  • Instrumental Tutors
  • On-campus equipment and performance facilities
  • Online streaming video and additional referencing videos
  • Library resources (see prescribed or recommended texts below)

  

Unit Aims

The Music Performance 202 unit aims to develop and extend performance and technical instrumental skills at an Associate-equivalent standard as a soloist, showing significant development from student performances in the Music Performance 201 unit. Students will enhance their self-directed critical evaluation skills and contribute to the collaborative development of other performance students.

Students will complete weekly tutorials in their principal instrument, present weekly performances and assist in providing constructive criticism for other members in performance workshops, and present an end of semester programme of individual works. Students are recommended to incorporate skills learned in other units in their ongoing performance, including Arranging and Music Technology. 

  

Learning Outcomes

On successful completion of this unit, students are expected to be able to:

  1. Select and perform a diverse and varied program of appropriate repertoire at an Associate standard that demonstrates advanced control of instrumental ability and musicality.
  2. Demonstrate technical assurance, stamina and confidence in performing pieces of high technical demands at a professional standard, retaining sensitivity to musicality and expressive techniques.
  3. Rehearse material in an increasingly effective manner, demonstrating self-directed problem solving and analytic skills by solving high-level technical difficulties through personal practice methods.
  4. Rehearse, study and perform a variety of styles and genres, demonstrating an expanding appreciation and awareness across Western musical styles in developing a sophisticated musical vocabulary.
  5. Use and apply highly developed analytical, self-critique and problem-solving skills in written work, showing a thorough awareness of musical concepts and demands on performers, and authentic self-analysis.
  6. Employ arranging principles and notation skills reinterpreting pieces for performance based on available resources and personal musical investigation.

  

Teaching Outline

Solo Performance provides students with the skills and resources to develop instrumental performance abilities to an Associate-equivalent standard, through individual weekly lessons on their principal instrument, and explores broader performance practice techniques through weekly lectures. Performances at this level consider arranging and theoretical work completed in other units in the course, requiring a clear demonstration of arranging considerations and higher harmonic material.

Year 2
Semester 2

Students will perform one examination of a minimum of 5 solo works, 45 minutes, at a Bachelor Year Two standard (equivalent to AGME Associate standard), selected in discussion with their tutor based on the nominated list. Students will perform their exam pieces in development phases throughout the semester, with at least 1 performance every 2 weeks to class to explore performance methods and gain feedback during development.

LESSON MATERIAL COVERED

Developing tonal practice; musician health, Alexander technique, thinking critically in practice. Improvisation development, aural development in performance.

  

Prescribed and recommended readings:

Required textbook(s)
Australian Guild of Music Instrumental Handbook in relation to chosen instrument (for list of technical requirements and suggested performance syllabus)

Library Resources
A subscription to Oxford Music Online and to Grove Music Online which includes:

  • The Grove dictionary of American music (2nd ed.).
  • The new Grove dictionary of jazz (2nd ed.).
  • The new Grove dictionary of music and musicians (2nd ed.).
  • The new Grove dictionary of opera.
  • The Oxford companion to music.
  • The Oxford dictionary of music (2nd ed.).

Plus updated content bibliographies, specially-commissioned articles only available online.

A subscription to JSTOR Journals and books
A subscription to Lynda.com video tutorials

Recommended Reading List

Cameron, J. (2016). The Artist's Way. London: Penguin.

Green, B., & Gallwey, W. T. (1987). The Inner Game of Music. New York: Pan Macmillan.

Werner, K. and Aebersold, J. (1996). Effortless Mastery. New Albany: Jamey Aebersold Jazz.

Wooten, V. (2008). The Music Lesson: A spiritual search for growth through music. New York: Penguin.

Reference Materials

Peer-reviewed journals and websites (advised during lectures). Some examples are listed below.
Haden, J. (June 13th, 2012). Be Graceful Under Pressure: 7 Tips. Retrieved from:
http://www.inc.com/jeff-haden/how-to-be-graceful-under-pressure.html.

Hammond, K., Rabinowitz, K. et al. (May 10th 2009) Mind, Body and Soul. The Observer. Retrieved from:
http://www.theguardian.com/music/2009/may/10/tips-stage-performance-singing

Hooper, T. (April 14th, 2011). Performing Live: Stage Presence Tips. Yahoo Contributor Network, Retrieved from:
http://voices.yahoo.com/performing-live-stage-presence-tips-8267817.html.

KasanoffInfluencer, B. (March 27th, 2013). Concert pianist: how to perform under pressure. Retrieved from:
http://www.linkedin.com/today/post/article/20130327122022-36792-concert-pianist-how-to-perform-under-pressure.

Robley, C. (February 2nd, 2018). The DIY Musician’s Complete Guide to Touring. Retrieved from:
http://diymusician.cdbaby.com/the-diy-musicians-complete-guide-to-touring/

  

Student assessment 

Assessment Type

 

When assessed

Weighting
(% of total unit marks)

Learning Outcomes Assessed

Assessment 2.1: Performance Workshop Engagement
Type: Performances and Feedback
Students participate weekly in performance workshop by performing live (on campus) or providing pre-recorded video link (distance), and by critiquing and providing feedback of other student’s performances. Students will present a minimum of 6 performances, with at least 4 different pieces performed.

Ongoing

20%

1, 3, 4, 5, 6

Assessment 2.2: Self-Assessment Report
Type: Report
Length: 500 words Reflection on technical challenges of pieces chosen for end of year performance exam, discussion of practice methods, and benefits of developed techniques on future development as musician, including comparison of outcome of the first semester exam in Music Performance 201.

Week 7

20%

2, 5

Assessment 2.3: Performance Exam
Length: 45 minutes
45 minute performance of 5 pieces min. on student’s primary instrument at Associate level. Pieces must be contrasting and show a developing level of technical competency, confidence and instrumental ability.

Week 14

60%

1, 2, 3, 4, 6

 

  

Course Outcomes

#

Course Learning Outcomes

On completion of the course the student should be able to:

Unit Learning Outcomes

Assessments

1 A broad knowledge of the applied, theoretical and historical  basis of the discipline

1, 2, 3, 4, 5, 6

2.1, 2.2, 2.3

2 A depth of disciplinary knowledge in a professionally applicable specialisation

1, 2, 3, 4, 5, 6

2.1, 2.2, 2.3

3 An understanding of the processes of musical scholarship and research

1, 2, 3, 4, 5, 6

2.1, 2.2, 2.3

4 The ability to work both independently and collaboratively in diverse and complex musical settings

1, 2, 3, 4, 6

2.1, 2.2, 2.3

5 Effective written, verbal and interpersonal communication skills

1, 4, 5

2.1, 2.2, 2.3

6 Critical thinking and analytical skills appropriate  to a range of contexts including further study 2, 3, 4, 5, 6 2.1, 2.2, 2.3
7 The ability to apply specific musical skills to a wide range of professional contexts 1, 2, 3, 4, 6 2.1, 2.2, 2.3
8 The capacity to apply technological and creative solutions to contemporary musical practices 1, 3, 4, 5, 6 2.1, 2.2, 2.3
9 The ability to incorporate knowledge from the business and legal fields to a portfolio career in the music profession.

  

Graduate Attributes

#

Graduate Attribute

Successful completion of this unit will contribute to the attainment of the following graduate attributes:

Unit Learning Outcomes

Course Learning Outcomes

Assessments

1 Deep disciplinary knowledge 1, 2, 3, 4, 5, 6 1, 2, 3, 4, 7 2.1, 2.2, 2.3
2 The ability to apply knowledge and skills in innovative ways 1, 2, 3, 4, 5, 6 4, 5, 6, 7 2.1, 2.2, 2.3
3 A commitment to lifelong learning 1, 2, 3, 4, 5, 6 1, 2, 3, 4, 5, 6, 7 2.1, 2.2, 2.3
4 Effective communication skills for diverse contexts 1, 2, 4, 5 3, 5, 6, 7 2.1, 2.2, 2.3
5 The capacity to work independently and collaboratively 1, 2, 3, 4, 5, 6 3, 4, 5, 6, 7 2.1, 2.2, 2.3