Bachelor of Music - Composition Capstone Major Year 3 Unit Outline

Unit of Study - Composition Capstone

COMPOSITION & ARRANGING MAJOR

The following applies to Year Three Bachelor of Music students.

Unit Outlines

Unit Name

COMPOSITION & ARRANGING: CAPSTONE

Unit Code

COMPMA302

Unit Description In this unit students will learn how to:
  • Explore extended composition techniques and apply these to developing composition skills.
  • Compose and orchestrate full length pieces based on technical briefs and requirements for professional performance.
  • Arrange music for a prescribed musical theatre orchestra.
Award(s) Bachelor of Music
Unit Duration 1 Semester (12 weeks)
Year Level          Three (Major), Semester 2
Unit Coordinator Caleb Garfinkel
Teaching Staff Caleb Garfinkel
Core/Elective Elective Major
Pre/Co-requisites A pass in Composition 301
Credit Points 20 credit points

Mode of Delivery

x Face to face
x E-learning (online)
o Ontensive/block mode (where the unit or a face to face component is delivered in a block)
x Distance/independent learning (un-timetabled)
x Full-time
x Part-time
o External
x Fast track
Student Workload Delivery/ Contact Hours No. timetabled hours per week
  • Lecture Theory 1 hour
  • Practical Session - 1 hour
  • Tutorial - 1 hour
  • Personal Independent Study - 8 hour
Total hours per week - 11 hours

Resource Requirements

  • Software
  • Computing resource requirements
  • External Technical Assistance if required

Resources Provided

  • Composition Tutors
  • On-campus equipment and performance facilities
  • Online streaming video and additional referencing videos. 
  • Library resources (see prescribed or recommended texts below)

             

Unit Aims

This unit aims to achieve a high level of understanding in students towards writing full compositions applying advanced knowledge and techniques in a range of styles using a variety of instrumentation.  Students will apply instrumentation, composition and arranging knowledge to create original works utilising music technology and recording software.  Students will compose a major work for an ensemble or orchestra at a professional level.

 

Learning Outcomes

On successful completion of this unit, students are expected to be able to:

  1. Demonstrate confidence in using a range of advanced compositional techniques to a high standard for individual and professional purposes.
  2. Evaluate and explore compositional and technical aspects, aesthetics, and interpretation of compositional briefs and concepts.
  3. Demonstrate critical thinking, knowledge and understanding of composition styles and methods on the development of contemporary music.
  4. Utilise music technology to aid in the scoring, composition and production of works.

 

Teaching Outline

Year 3
COMPOSITION AND ARRANGING MAJOR
Composition
  • Compositional devices, producing large works, exploration of styles and methods.
  • Film scoring and composing to briefs, themes and melody writing.
  • Advanced compositional tools, extended techniques.
  • Revision of sequencing and MIDI applications in technology
  • Analysis of works
  • Produce a film score, sequenced and notated.

Arranging

  • Arranging devices and tools revision, extended techniques.
  • Arranging for large scale bands and orchestras, instrumentation and orchestration overview.
  • Russell Garcia arranging techniques
  • Primary and tertiary melody use, extended harmony use.
  • Produce a big band arrangement.


Prescribed and recommended readings:

Online Resource (books/video)
A subscription to Oxford Music Online and to Grove Music Online which includes:

  • The Grove dictionary of American music (2nd ed.).
  • The new Grove dictionary of jazz (2nd ed.).
  • The new Grove dictionary of music and musicians (2nd ed.).
  • The new Grove dictionary of opera.
  • The Oxford companion to music.
  • The Oxford dictionary of music (2nd ed.).

Plus, updated content bibliographies, specially-commissioned articles only available online.

A subscription to JSTOR Journals and books
A subscription to Lynda.com video tutorials

Recommended Reading List
Baker, D. (1988). Arranging and Composing for the Small Ensemble: Jazz/R&B/Jazz-Rock. Van Nuys: Alfred Publishing.
Blatter, A. (1997). Instrumentation and Orchestration. 2nd ed. New York: Schirmer Books.
Dunbar-Hall, P., & Hodge, G. (1993). A guide to rock 'n' pop (2nd ed.). Marrickville, Australia: Science Press.
Dunbar-Hall, P. (1993). Teaching popular music. Marrickville, Australia: Science Press.
Furstner, M. (1993). Chords, scales and simple improvisation. Book 1. Nambour, Australia:Michael Furstner.
Josefs, J. (2001). Writing music for hit songs. London, England: Omnibus.
Lowell, D & Pullig, K. (2003). Arranging for Large Jazz Ensemble. Boston: Berklee Press.
Korsakov, R. (1964). Principles of Orchestration. Dover ed. New York: Courier Corporation.
Mehegan, J. (1984). Tonal and rhythmic principles (Rev. Ed.).  New York, NY: Watson-Guptill and Amsco Publications.
Sarnecki, M.  (1999). Harmony. Edmonton, Canada: San Marco Publications.  
Reference Materials
Belkin, A. (2003). General principles of harmony. Accessed 2/2/18. http://alanbelkinmusic.com/bk.H/H.pdf.
Belkin, A. (2008). A practical guide to musical composition. Accessed 2/2/18. http://alanbelkinmusic.com/bk/F.pdf.
Belkin, A. (2009). Principles of counterpoint. Accessed 2/2/18.  http://alanbelkinmusic.com/bk.C/C.pdf.
Boyd, M. Arrangement. Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved from http://www.oxfordmusiconline.com/subscriber/article/grove/music/01332  
Cooke, M. Film music. Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved from http://www.oxfordmusiconline.com/subscriber/article/grove/music/09647  
Garcia, R. (2004). The Professional Arranger Composer. Book I – VI. Accessed 2/2/18. http://bahaichoralmusic.com/uploads/3/7/3/0/3730695/rgarcianotes2.pdf.
Kreitner, K. et al. Instrumentation and orchestration. Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved from http://www.oxfordmusiconline.com/subscriber/article/grove/music/20404
Lichtenwanger, M., & Wallace Davidson, M. Copyright. Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved from http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2258807  
Whittall, A. Arrangement. The Oxford Companion to Music. Ed. Alison Latham. Oxford Music Online. Oxford University Press. Retrieved from http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e410  

  

Student assessment 

Assessment Type

When assessed

Weighting
(% of total unit marks)

Learning Outcomes Assessed

Assessment 1: Folio 1 – Arranging
Type: Arranging Demonstrations
Length: 3x16-32
3 folio tasks demonstrating arranging principles.
Week 2-4 15% 1, 3
Folio 1 Folio 1A: Orchestration Brief Folio
Type: Arranging Folio
Length: 16-32 bars
Orchestrate the given piece for the assigned instruments using the provided brief, melody and harmonic structure.
Week 2 5% 1, 3
Folio 1B: String Orchestration
Type: Arranging Folio
Length: 16-32 bars
Arrange a string quartet to accompany the given piano and melodic part.
Week 3 5% 1, 3
Folio 1C: Reductions
Type: Arranging Folio
Length: 16-32 bars
Reduce the given score to a small ensemble of 6 instruments, ensuring critical melodies and harmonic parts are present.
Week 4 5% 1, 3
Assessment 2: Theatre Arrangement
Length: 128 bars
Produce an orchestration for 12-20 piece music theatre orchestra of the provided piece
Week 6 30% 2, 4
Assessment 3: Folio 2: Composition
Length: 3x16-32
3 folio tasks demonstrating composition techniques.
Week 8-10 15% 1, 3
Folio 2 Folio 2A: Graphical Notation
Type: Composition
Length: 16-32 bars
Compose a piece using graphical and non-traditional notation, and produce a recording on your primary instrument.
Week 8 5% 1, 3
Folio 2B: Pitch Material from Chords
Type: Composition
Length: 16-32 bars
Write a small melody and harmonic accompaniment based on inversions of calculated non-diatonic chords.
Week 9 5% 1, 3
Folio 2C: Extended Technique Development
Type: Composition
Length: 32 bars
Write a composition incorporating clear demonstration of extended techniques discussed in lectures.
Week 10 5% 1, 3
Assessment 4: Major Composition
Length: 128 bars minimum
Compose a piece of own choice, for at least 8 instruments including rhythmic instruments. Composition type and form can be of any preference, but must be discussed in a personal brief outlining decisions made.
Week 12 40% 2, 4

  

Course Outcomes

#

Course Learning Outcomes

On completion of the course the student should be able to:

Unit Learning Outcomes

Assessments

1 A broad knowledge of the applied, theoretical and historical  basis of the discipline

1, 3

1, 3

2 A depth of disciplinary knowledge in a professionally applicable specialisation

2, 4

2, 4

3 An understanding of the processes of musical scholarship and research

2, 3

4

4 The ability to work both independently and collaboratively in diverse and complex musical settings

1, 2, 3

2, 4

5 Effective written, verbal and interpersonal communication skills

4

4

6 Critical thinking and analytical skills appropriate  to a range of contexts including further study 2, 4 1, 3
7 The ability to apply specific musical skills to a wide range of professional contexts 2, 4 2, 4
8 The capacity to apply technological and creative solutions to contemporary musical practices 2, 4 1, 2, 3, 4
9 The ability to incorporate knowledge from the business and legal fields to a portfolio career in the music profession.

4

4

  

Graduate Attributes

#

Graduate Attribute

Successful completion of this unit will contribute to the attainment of the following graduate attributes:

Unit Learning Outcomes

Course Learning Outcomes

Assessments

1 Deep disciplinary knowledge 2, 3 1, 2, 3, 4, 5, 6, 7 1, 2, 3
2 The ability to apply knowledge and skills in innovative ways 1, 4 3, 4, 5, 7 1, 3
3 A commitment to lifelong learning 2, 3 1, 2, 3, 4, 5, 6, 7 1, 3
4 Effective communication skills for diverse contexts 2 4, 5, 6, 7 1, 2, 3
5 The capacity to work independently and collaboratively 2, 3 1, 2, 3, 4, 5, 6, 7 1, 2, 3